Max Richter, photograph by Yulia Mahr
Pure composition is 100% of the piece and has to tell the whole story itself. When you do ‘hybrid media,’ it’s different. I like the puzzle-solving aspect of it. Cinema is sort of the ultimate collaborative medium, because a lot of different personalities have to be accommodated to get the story across. In a way, it’s like solving a Rubik’s cube.
Max Richter, photograph by Wolfgang Borrs
I wanted to recapture my original experience and fall back in love with it (‘Four Seasons’). I wanted to re-explore the piece’s landscape and discover new facets in that landscape. I wanted to rediscover it for myself, and within myself.